Anthony Caro (1924 – 2013) the man who perfected the art of taking art off its pedestal

Anthony Caro's response to Manet's Le déjeuner sur l'herbe. Photograph by Hattie Miles, Paris 2007
Anthony Caro’s response to Manet’s Le déjeuner sur l’herbe. Photograph by Hattie Miles, Paris 2007

Words: Jeremy Miles   –    Picture: Hattie Miles (Paris 2007)

He was the king of heavy metal  – an apparent magician who could imbue sheets of steel and iron girders with a kind of weightless majesty. Sir Anthony Caro, who has died at the aged of 89,  was a sculptor who could  do amazing things with solidity.  A few years ago he produced an astonishing entrance piece to a show at London’s Tate Britain exploring his 50 plus year career.  Millbank Steps was a gargantuan piece designed to explore the relationship between sculpture and architecture. Weighing nearly 100 tons, the walk-through work filled more than half of the Tate’s vast Duveen Galleries. The floors had to be reinforced before it was craned in piece by piece.

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