A couple of weeks ago I found myself at London’s Barbican viewing The Politics of Seeing – an exhibition of superb and often troubling photographs by pioneering American photographer Dorothea Lange.
Across the gallery, admiring Lange’s iconic studies of Oklahoma dustbowl migrants in California in the 1930s, was a man who I was fairly convinced was Manfred Mann and Blues Band guitarist Tom McGuinness. I wasn’t sure though and short of wandering over and asking, I couldn’t figure out a way of finding out. Continue reading “Dorothea’s dustbowl migrants and Tom McGuinness on Arthur ‘Big Boy’ Crudup”
Dancing Ledge 