London Repertory Players take summer thriller Ira Levin’s Deathtrap to Wimborne

I am so sorry to see that the wonderful Shelley Theatre in Boscombe has decided not to reopen this summer. Fans of the excellent London Repertory Players will be particularly concerned. The pandemic robbed them of the 2020 season but it was hoped that those plays would be back at the Shelley this summer. Sadly it wasn’t to be.

But fear not. All is not lost. The Players and their ever resourceful director Vernon Thompson have been approached by the Tivoli Theatre in Wimborne. The result is that one of the company’s productions – Ira Levin’s Deathtrap -will be staged at The Tivoli this summer with performances from Wednesday 28th to Saturday 31st July. 

It will play at  7.30pm each evening plus two 2.30pm matinees on Thursday and Saturday. Featuring LRP favourites including Victoria Porter, Al Wadlan and Claire Fisher, the production already looks like a sure-fire success.

Deathtrap is perfect London Rep’ material. Originally written in the 1970s by Rosemary’s Baby author Ira Levin.  It focuses on a washed playwright desperate to rediscover his talent and repeat his past success. When a student brings him a  brilliant self-penned play he hatches a murderous plot to claim it as his own.

Deathtrap held the record for the longest running comedy thriller on Broadway and is considered a classic of the genre. It was also adapted as a 1980s film with Christopher Reeve, Michael Caine, Dyan Cannon and Sidney Bruhl.

This summer’s London Repertory Players’ production is going to be a must-see. Book tickets at the Tivoli Theatre  on 01202 885566.

What links a voice coach, Frankenstein, a dead poet and Bournemouth summer rep?

Vernon Thompson 3
Vernon Thompson at the Shelley Theatre in Bournemouth. Photograph by Hattie Miles

Listening to the steady, well-modulated tones of actor and director Vernon Thompson it’s hard to imagine that he’s ever had a problem with his voice.

Yet Vernon, the creative talent behind the  summer repertory theatre season at Bournemouth’s Shelley Theatre, grew up with a significant stammer. It was so  bad that he spent the first five years of his life receiving speech therapy from a Harley Street specialist. And now he divides his time between producing and directing plays and working as a professional voice coach.  Continue reading “What links a voice coach, Frankenstein, a dead poet and Bournemouth summer rep?”